R�N �` Recollected Places: Photography, Memory and Ekphrasis The practice component of my PhD, 'Recollected Places', consists of exhibitions combining my work as an artist in still photography, video and installation and books that combine text and the photographic image. /Type /Page 1.730–767), and not least Vergil’s description of Aeneas’s shield (Aen. Latin authors were no less interested in the intersection between visual and verbal modes. >> As critical trope, the word ekphrasis (ἔκφρασις) is attested from the first century ce onwards: it is discussed in the Imperial Greek Progymnasmata, where it is defined as a “descriptive speech which brings the subject shown before the eyes with visual vividness.”. /Rotate 0 >> 2 days ago. But what are the greatest ekphrastic poems in English literature? /Parent 1 0 R 346f). Their addition to the text modifies the status of it, making it into a biography or document. Prog. Ekphrasis was a rhetorical tool, enabling the evocation of an object in language in such a way as to enable readers to respond emotionally, even viscerally to it. /Contents 88 0 R The concept has been fundamental to late 20th- and early 21st-century scholarship on the interface between visual and verbal media. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. /Title (L\220acte photographique) Harder, R. Regtuit and G. W. Wakker (Leuven: Peeters, 2002), 85–112; and M. J. Squire, “Making Myron’s Cow Moo? << Choose from 500 different sets of dora words 2 flashcards on Quizlet. Authors of these treatises were well aware of the fictitiousness that underlies ekphrasis—as a trope of “almost [skhedon] seeing through hearing,” and indeed of “all but [mononou] making the audience into spectators”;14 much later, in his 9th-century commentary on Aphthonius’s Progymnasmata, John of Sardis would develop the point explicitly, writing that “even if the speech were ten thousand times vivid, it would be impossible to bring ‘the thing shown’ or ekphrasised itself before the eyes.”15, Despite their particular functions and pedagogical remits, the Progymnasmata clearly reflect—and indeed respond to—a much longer history of conceptualizing words and images, as played out in the literary evocation of artworks in particular. 1968), from around 2012 to the present day, including his recent work, Viae (2020). 1 month ago. >> Trouvé à l'intérieur – Page 2594 ) , était tout proche de l'atelier photographiques , ce qui explique , outre sa beauté particulière , qu'il ait pu si ... conviennent aussi à l'ekphrasis de photographie , puisque cette dernière est encore une forme de « tableau » . Did you know? /Type /Page 8.626–728);18 the Homeric description also posed a challenge to visual artists, who sometimes delighted in turning the Homeric verbal evocation of a visual object back into material apparition (see Figure 1).19. Trouvé à l'intérieur – Page 275... l'abondante illustration photographique a pour objet d'éliminer toute description - celle - ci frappée d'inanité dans ... alors qu'on a pu croire jusqu'au XIX ° siècle à la possibilité d'une ekphrasis fondée sur le paradigme de l'ut ... /ExtGState 89 0 R In five rhyming stanzas, Keats' poem "Ode on a Grecian Urn" addresses an imagined version of an ancient vase. of the reader, who «sees» them without really seeing them? /Count 1 'Ekphrasis' is the verbal description of visual works of art, for example, Homer's imaginary evocation of Achilles' shield in The Iliad. Scholars and writers of poetry today typically trace the genealogy of ekphrasis as a branch of lyric poetry: the contemplation of an art object uttered by an undifferentiated, universalized lyric "I" who probes the representational differences between the arts of painting and poetry. (See also Cliiver 1989: 57-58, esp. This aspect, which is a key element of every kind of image, is emphasized both in anthropological analyses and in aesthetical . The analysis then considers the pictures in prose to show how writing magnetises and refracts the cliché, being this document absent in the narration. /MediaBox [ 0 0 595 841 ] Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice). But our analysis L'analyse, a travers les documents d'archives inseres dans la diegese, se . /Type /Page 18. R. Hexter and D. Seldon (New York and London: Routledge, 1992), 51–64; G. K. Sprigath, “Das Dictum des Simonides: Der Vergleich von Dichtung und Malerei,” Poetica. /Resources << A Francis, “Metal Maidens, Achilles’ Shield and Pandora: The Beginnings of ‘Ekphrasis,’” American Journal of Philology 130 (2009): 1–23; M. Lecoq, Le bouclier d’Achille: un tableau qui borge (Paris: Gallimard, 2010); and M. d’Acunto and R. Palmisciano, eds., Lo scudo di Achille nell’Iliade. /Font 67 0 R /Annots [ 61 0 R 62 0 R 63 0 R ] 21. This essay explores the intersections between ancient and modern notions of ecphrasis (defined by Imperial Greek rhetoricians as "a descriptive speech" that "brings the subject shown before the eyes with visual vividness"). /Annots [ 163 0 R 164 0 R 165 0 R 166 0 R 167 0 R 168 0 R 169 0 R 170 0 R 171 0 R 172 0 R 173 0 R 174 0 R ] Sometimes the conventions of ekphrastic evocation are lampooned—nowhere more strikingly than with Petronius’s account of the exploits of Eumolpus in an imagined art gallery (Sat. éditeurs et divers médias. En effet, dans ces romans, les grands personnages historiques ne sont présents que pour mettre en relief la vie des marginaux et des oubliés de l’Histoire comme Dora Bruder, le personnage du livre éponyme de Modiano. Trouvé à l'intérieur – Page 258... cette vision photographique du monde est Antoine Montes , le photographe amateur dans Le Vent ( 1957 ) . ... La notion d'ekphrasis , il est vrai , se rapporte par définition à la description d'une oeuvre d'art réelle ou imaginaire . At the same time, FSP provides educational training, consultations on scientific and technological information, translation services, and publications of e-books. 4. /Title (\376\377\000L \031\000e\000k\000p\000h\000r\000a\000s\000i\000s\000 \000p\000h\000o\000t\000o\000g\000r\000a\000p\000h\000i\000q\000u\000e\000 \000d\000a\000n\000s\000 \000D\000o\000r\000a\000 \000B\000r\000u\000d\000e\000r\000 \000d\000e\000 \000P\000a\000t\000r\000i\000c\000k\000 \000M\000o\000d\000i\000a\000n\000o\000\240\000\072\000 \000e\000n\000t\000r\000e\000 \000m\000a\000g\000n\000\351\000t\000i\000s\000m\000e\000 \000e\000t\000 \000r\000\351\000f\000r\000a\000c\000t\000i\000o\000n) In later editions—especially the American and Japanese translations—we find . Squire, “Apparitions Apparent,” 99–101, 107–108). << Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. 1 0 obj What are some examples of ekphrastic poems, and how should we read them? Lekooporność raka nerki; Lekker imperfect << /Rotate 0 Trouvé à l'intérieur – Page 161... extraits de jugement politique , catalogues d'expositions , usage répété de l'ekphrasis photographique , etc. ) ; et cette poétique du montage donne quasiment statut de chronique citée , répétée et modulée , à chaque fragment . Theon’s explanation of ekphrasis as a “descriptive speech which brings the subject shown before the eyes with visual vividness”6 seems to have been echoed almost verbatim among other Progymnasmata authors. 14 0 obj On essaie enfin de montrer que ces modes de relation peuvent se lire comme des régimes d’historicité, et que Dora Bruder, comme énonciation, dit, même dans ses manques, la réussite du projet visant à saisir quelque chose de la vie de Dora, et donc à assurer, malgré tout, une certaine permanence du passé dans le présent. /Rotate 0 This innovative interdisciplinary study compares the uses of painting in literary texts and films. The implications of these changes are then assessed, with the author’s apparent wish to make his narrative more complete and more truthful, prompting a discussion of the overall status of the book - is it a work of fact, a fiction or a ‘faction’? In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. /Parent 20 0 R Google Scholar Suleiman, S. (2006) Crises of Memory and the Second World War (Harvard: Harvard University Press). >> /Author (Valeria Sperti) É. Prioux and A. Rouveret (Paris: Presses Universitaires de Paris Ouest, 2010), 191–204. 2.) >> /ExtGState 136 0 R endobj We will see that the prose image is a deliberate choice of Modiano’s, Figure 1. In theorizing ekphrasis around the poles of sight and sound, rhetorical handbooks continue a long-standing literary and literary critical tradition: one thinks in particular of Simonides’ famous aphorism—much quoted in antiquity—that “painting is silent poetry, poetry is talking painting.”16 Ultimately, this history stretches back to the Homeric epic description of the shield of Achilles (Il. 23. these In this collection of poems Roubaud expresses a desire to continue that artistic dialogue and even tempts to keep Alix in movement by . Trouvé à l'intérieur – Page 180Selon la distinction proposée par Michael Riffaterre entre ekphrasis critique et ekphrasis littéraire , on pourrait dire que ces ekphraseis photographiques relèvent davantage de cette dernière catégorie : variété de l'encomium ... << 15. 19. endobj /Parent 20 0 R But our analysis Trouvé à l'intérieur – Page 52then, description becomes a suspect category in photo-textual terms. This is not to say that the metaphor of ekphrasis is not useful. The Greek prefix 'ek' means 'detachable', so ekphrasis is a discourse that is 'périégétique', ... /Resources << R. Hunter, A Study of Daphnis and Chloe (Cambridge, U.K.: Cambridge University Press, 1983), 38–52; T. Whitmarsh, “Written on the Body: Ekphrasis, Perception and Deception in Heliodorus’ Aethiopica,” Ramus 31 (2002): 111–125; H. Morales, Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon (Cambridge, U.K.: Cambridge University Press, 2004), esp. Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. /Font 158 0 R Ekphrasis today, or modern ekphrasis, has significantly changed from the versions of ekphrasis typical to Ancient Greece and the Roman Empire (Webb 1). The Higher Me, graphics on metal print, 36″ x 12″, 2015. /ProcSet [ /PDF /Text ] A detailed study of the ekphrasis of photography in poetry since the 19th century. %PDF-1.3 1); both the Elder and Younger Philostratus play knowingly on the rhetorical definitions of ekphrasis in the Progymnasmata (cf. >> >> Webb, Ekphrasis, Imagination and Persuasion, esp. 10.48 = Rabe, Hermogenis Opera, 23. Sperti, V. (2012) 'L'ekphrasis photographique dans Dora Bruder de Patrick Modiano: entre magnétisme et réfraction', Cahiers de narratologie, 23, 2-13. C. Lévy and L. Pernot (Paris: L’Harmattan, 1997), 249–264; A. Manieri, L’immagine poetica, esp. /Annots [ 112 0 R ] /Parent 20 0 R endobj Their addition to the text modifies the status of it, making it into a biography or document. N. Rudd (London: Duckworth, 1993), 120–139; and L. Barkan, Mute Poetry, Speaking Pictures (Princeton, NJ: Princeton University Press, 2013). Auden not only expands the understanding of the genre but also broadens the understanding Permanence, rupture et régimes d’historicité dans Dora Bruder. /Prev 27 0 R /Font 122 0 R Cf. endobj After surveying recent comparative literary approaches to ecphrastic "intermediality," the essay first analyzes theories of ecphrasis in theProgymnasmata. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. endobj /Creator (OpenEdition) The letters of the chi-rho mast are made up of the transliterated letters of a Greek elegic couplet. /Prev 29 0 R /MediaBox [ 0 0 595 841 ] 118.7 = Patillon and Bolognesi, Aelius Théon, Progymnasmata, 66. /ProcSet [ /PDF /Text ] Ekphrasis (also spelled "ecphrasis") is a direct transcription from the Greek ek, "out of," and phrasis, "speech" or "expression." It's often been translated simply as "description," and seems originally to have been used as a rhetorical term designating a passage in prose or poetry that describes something. /Type /Page stream /ProcSet [ /PDF /Text ] The passages themselves can be found in M. Patillon and G. Bolognesi, eds., Aelius Théon, Progymnasmata (Paris: Belles Lettres, 1997), 66–69; H. Rabe, ed., Hermogenis Opera (Leipzig: Teubner, 1913), 22–23; H. Rabe, ed., Aphthonius Progymnasmata (Leipzig: Teubner, 1926), 36–41; and J. Felten, ed., Nicolaus Progymnasmata (Leipzig: Teubner, 1913), 67–71. /Count 5 This person is not on ResearchGate, or hasn't claimed this research yet. Using Arnold Van Gennep's study into the rites of passage, it describes this sort of ekphrasis as one that entails certain rites of passage into visual culture. >> >> /ProcSet [ /PDF /Text ] R. Webb, “Ekphrasis Ancient and Modern: The Invention of a Genre,” Word & Image 15.1 (1999): 7–18; G. Zanker, Modes of Viewing in Hellenistic Poetry and Art (Madison: University of Wisconsin Press, 2004), 82–84, 184–185, n. 26. << We thus have to do with prose images, with an ekphrasis from existing photographs. << /Rotate 0 On Apollonius, see R. Hunter, The Argonautica of Apollonius: Literary Studies (Cambridge, U.K.: Cambridge University Press, 1993), 52–59; and J. J. Clauss, The Best of the Argonauts: The Redefinition of the Epic Hero in Book One of Apollonius’ Argonautica (Berkeley: University of California Press, 1993), 120–129. /Pages 1 0 R Quelques aventures de l'ekphrasis dans la littérature contemporaine M. A. Pond served in the Marines from 1971 to 1973 as a Keypunch Operator, a job which she said technological advances since then have made obsolete. Witness statements, often recorded on film but also written, have noticeably been present in the discursive space opened up by Holocaust memory. The Ekphrastic Review is an online journal devoted entirely to writing inspired by visual art. >> >> On Pseudo-Hesiod, see A. S. Becker, The Shield of Achilles and the Poetics of Ekphrasis, 23–40, along with the more detailed recent discussion of S. Chiarini, L’archeologia dello Scutum Herculis (Rome: Aracne, 2012), esp. Moreover, it is in harmony with Modiano’s mode of narration. Oct. 23 2015. In later editions—especially the American and Japanese translations—we find reproductions of these >> /ExtGState 176 0 R /Annots [ 119 0 R ] /Type /Page /Font 98 0 R >> /Last 31 0 R The link was not copied. << 32 0 obj Bibliography updated to incorporate recent scholarship. Through examination of Hesketh's graphical control of a number of musical parameters, the article will demonstrate that the idea of a 'musical ekphrasis' can be extended through the incorporation of spatial aspects . endobj /D [ 1 /XYZ 85.03937 433.73602 0 ] In the 'open' type, by contrast, the object of the ekphrasis is presented 'unframed', and so could be taken as a description of (say) an actual scene, rather than a pictorial representation of that scene. In the words of Simon Goldhill, “rhetorical theory knows well that its descriptive power is a technique of illusion, semblance, and of making to appear.” S. Goldhill, “What Is Ekphrasis for?,” Classical Philology 102 (2007): 1–19, at 3; cf. /Count 16 Dora Bruder 1. /Annots [ 107 0 R 108 0 R ] Trouvé à l'intérieur – Page 460deux types de procédés : une ekphrasis substitutive , traditionnellement qualifiée de notionnelle 12 , qui vise à restituer , sans support iconographique phénoménal pour le lecteur , le tableau ou la photographie , et une ekphrasis ... /Rotate 0 >> /ProcSet [ /PDF /Text ] –Photography–Shoah–Postmemory, Du Roman-Histoire à l’Enquête micro-historique (Etude Sélective de l’oeuvre de Patrick Modiano), The Question of Genre in Holocaust Narrative: The Case of Patrick Modiano’s Dora Bruder, Photographie et image en prose dans Dora Bruder de Patrick Modiano, ‘Avec Klarsfeld, contre l’oubli’Patrick Modiano’s Dora Bruder, Sentinelles de l’oubli et reflets furtifs. "/> R�N �` Recollected Places: Photography, Memory and Ekphrasis The practice component of my PhD, 'Recollected Places', consists of exhibitions combining my work as an artist in still photography, video and installation and books that combine text and the photographic image. /Type /Page 1.730–767), and not least Vergil’s description of Aeneas’s shield (Aen. Latin authors were no less interested in the intersection between visual and verbal modes. >> As critical trope, the word ekphrasis (ἔκφρασις) is attested from the first century ce onwards: it is discussed in the Imperial Greek Progymnasmata, where it is defined as a “descriptive speech which brings the subject shown before the eyes with visual vividness.”. /Rotate 0 >> 2 days ago. But what are the greatest ekphrastic poems in English literature? /Parent 1 0 R 346f). Their addition to the text modifies the status of it, making it into a biography or document. Prog. Ekphrasis was a rhetorical tool, enabling the evocation of an object in language in such a way as to enable readers to respond emotionally, even viscerally to it. /Contents 88 0 R The concept has been fundamental to late 20th- and early 21st-century scholarship on the interface between visual and verbal media. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. /Title (L\220acte photographique) Harder, R. Regtuit and G. W. Wakker (Leuven: Peeters, 2002), 85–112; and M. J. Squire, “Making Myron’s Cow Moo? << Choose from 500 different sets of dora words 2 flashcards on Quizlet. Authors of these treatises were well aware of the fictitiousness that underlies ekphrasis—as a trope of “almost [skhedon] seeing through hearing,” and indeed of “all but [mononou] making the audience into spectators”;14 much later, in his 9th-century commentary on Aphthonius’s Progymnasmata, John of Sardis would develop the point explicitly, writing that “even if the speech were ten thousand times vivid, it would be impossible to bring ‘the thing shown’ or ekphrasised itself before the eyes.”15, Despite their particular functions and pedagogical remits, the Progymnasmata clearly reflect—and indeed respond to—a much longer history of conceptualizing words and images, as played out in the literary evocation of artworks in particular. 1968), from around 2012 to the present day, including his recent work, Viae (2020). 1 month ago. >> Trouvé à l'intérieur – Page 2594 ) , était tout proche de l'atelier photographiques , ce qui explique , outre sa beauté particulière , qu'il ait pu si ... conviennent aussi à l'ekphrasis de photographie , puisque cette dernière est encore une forme de « tableau » . Did you know? /Type /Page 8.626–728);18 the Homeric description also posed a challenge to visual artists, who sometimes delighted in turning the Homeric verbal evocation of a visual object back into material apparition (see Figure 1).19. Trouvé à l'intérieur – Page 275... l'abondante illustration photographique a pour objet d'éliminer toute description - celle - ci frappée d'inanité dans ... alors qu'on a pu croire jusqu'au XIX ° siècle à la possibilité d'une ekphrasis fondée sur le paradigme de l'ut ... /ExtGState 89 0 R In five rhyming stanzas, Keats' poem "Ode on a Grecian Urn" addresses an imagined version of an ancient vase. of the reader, who «sees» them without really seeing them? /Count 1 'Ekphrasis' is the verbal description of visual works of art, for example, Homer's imaginary evocation of Achilles' shield in The Iliad. Scholars and writers of poetry today typically trace the genealogy of ekphrasis as a branch of lyric poetry: the contemplation of an art object uttered by an undifferentiated, universalized lyric "I" who probes the representational differences between the arts of painting and poetry. (See also Cliiver 1989: 57-58, esp. This aspect, which is a key element of every kind of image, is emphasized both in anthropological analyses and in aesthetical . The analysis then considers the pictures in prose to show how writing magnetises and refracts the cliché, being this document absent in the narration. /MediaBox [ 0 0 595 841 ] Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice). But our analysis L'analyse, a travers les documents d'archives inseres dans la diegese, se . /Type /Page 18. R. Hexter and D. Seldon (New York and London: Routledge, 1992), 51–64; G. K. Sprigath, “Das Dictum des Simonides: Der Vergleich von Dichtung und Malerei,” Poetica. /Resources << A Francis, “Metal Maidens, Achilles’ Shield and Pandora: The Beginnings of ‘Ekphrasis,’” American Journal of Philology 130 (2009): 1–23; M. Lecoq, Le bouclier d’Achille: un tableau qui borge (Paris: Gallimard, 2010); and M. d’Acunto and R. Palmisciano, eds., Lo scudo di Achille nell’Iliade. /Font 67 0 R /Annots [ 61 0 R 62 0 R 63 0 R ] 21. This essay explores the intersections between ancient and modern notions of ecphrasis (defined by Imperial Greek rhetoricians as "a descriptive speech" that "brings the subject shown before the eyes with visual vividness"). /Annots [ 163 0 R 164 0 R 165 0 R 166 0 R 167 0 R 168 0 R 169 0 R 170 0 R 171 0 R 172 0 R 173 0 R 174 0 R ] Sometimes the conventions of ekphrastic evocation are lampooned—nowhere more strikingly than with Petronius’s account of the exploits of Eumolpus in an imagined art gallery (Sat. éditeurs et divers médias. En effet, dans ces romans, les grands personnages historiques ne sont présents que pour mettre en relief la vie des marginaux et des oubliés de l’Histoire comme Dora Bruder, le personnage du livre éponyme de Modiano. Trouvé à l'intérieur – Page 258... cette vision photographique du monde est Antoine Montes , le photographe amateur dans Le Vent ( 1957 ) . ... La notion d'ekphrasis , il est vrai , se rapporte par définition à la description d'une oeuvre d'art réelle ou imaginaire . At the same time, FSP provides educational training, consultations on scientific and technological information, translation services, and publications of e-books. 4. /Title (\376\377\000L \031\000e\000k\000p\000h\000r\000a\000s\000i\000s\000 \000p\000h\000o\000t\000o\000g\000r\000a\000p\000h\000i\000q\000u\000e\000 \000d\000a\000n\000s\000 \000D\000o\000r\000a\000 \000B\000r\000u\000d\000e\000r\000 \000d\000e\000 \000P\000a\000t\000r\000i\000c\000k\000 \000M\000o\000d\000i\000a\000n\000o\000\240\000\072\000 \000e\000n\000t\000r\000e\000 \000m\000a\000g\000n\000\351\000t\000i\000s\000m\000e\000 \000e\000t\000 \000r\000\351\000f\000r\000a\000c\000t\000i\000o\000n) In later editions—especially the American and Japanese translations—we find . Squire, “Apparitions Apparent,” 99–101, 107–108). << Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. 1 0 obj What are some examples of ekphrastic poems, and how should we read them? Lekooporność raka nerki; Lekker imperfect << /Rotate 0 Trouvé à l'intérieur – Page 161... extraits de jugement politique , catalogues d'expositions , usage répété de l'ekphrasis photographique , etc. ) ; et cette poétique du montage donne quasiment statut de chronique citée , répétée et modulée , à chaque fragment . Theon’s explanation of ekphrasis as a “descriptive speech which brings the subject shown before the eyes with visual vividness”6 seems to have been echoed almost verbatim among other Progymnasmata authors. 14 0 obj On essaie enfin de montrer que ces modes de relation peuvent se lire comme des régimes d’historicité, et que Dora Bruder, comme énonciation, dit, même dans ses manques, la réussite du projet visant à saisir quelque chose de la vie de Dora, et donc à assurer, malgré tout, une certaine permanence du passé dans le présent. /Rotate 0 This innovative interdisciplinary study compares the uses of painting in literary texts and films. The implications of these changes are then assessed, with the author’s apparent wish to make his narrative more complete and more truthful, prompting a discussion of the overall status of the book - is it a work of fact, a fiction or a ‘faction’? In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. /Parent 20 0 R Google Scholar Suleiman, S. (2006) Crises of Memory and the Second World War (Harvard: Harvard University Press). >> /Author (Valeria Sperti) É. Prioux and A. Rouveret (Paris: Presses Universitaires de Paris Ouest, 2010), 191–204. 2.) >> /ExtGState 136 0 R endobj We will see that the prose image is a deliberate choice of Modiano’s, Figure 1. In theorizing ekphrasis around the poles of sight and sound, rhetorical handbooks continue a long-standing literary and literary critical tradition: one thinks in particular of Simonides’ famous aphorism—much quoted in antiquity—that “painting is silent poetry, poetry is talking painting.”16 Ultimately, this history stretches back to the Homeric epic description of the shield of Achilles (Il. 23. these In this collection of poems Roubaud expresses a desire to continue that artistic dialogue and even tempts to keep Alix in movement by . Trouvé à l'intérieur – Page 180Selon la distinction proposée par Michael Riffaterre entre ekphrasis critique et ekphrasis littéraire , on pourrait dire que ces ekphraseis photographiques relèvent davantage de cette dernière catégorie : variété de l'encomium ... << 15. 19. endobj /Parent 20 0 R But our analysis Trouvé à l'intérieur – Page 52then, description becomes a suspect category in photo-textual terms. This is not to say that the metaphor of ekphrasis is not useful. The Greek prefix 'ek' means 'detachable', so ekphrasis is a discourse that is 'périégétique', ... /Resources << R. Hunter, A Study of Daphnis and Chloe (Cambridge, U.K.: Cambridge University Press, 1983), 38–52; T. Whitmarsh, “Written on the Body: Ekphrasis, Perception and Deception in Heliodorus’ Aethiopica,” Ramus 31 (2002): 111–125; H. Morales, Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon (Cambridge, U.K.: Cambridge University Press, 2004), esp. Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. /Font 158 0 R Ekphrasis today, or modern ekphrasis, has significantly changed from the versions of ekphrasis typical to Ancient Greece and the Roman Empire (Webb 1). The Higher Me, graphics on metal print, 36″ x 12″, 2015. /ProcSet [ /PDF /Text ] A detailed study of the ekphrasis of photography in poetry since the 19th century. %PDF-1.3 1); both the Elder and Younger Philostratus play knowingly on the rhetorical definitions of ekphrasis in the Progymnasmata (cf. >> >> Webb, Ekphrasis, Imagination and Persuasion, esp. 10.48 = Rabe, Hermogenis Opera, 23. Sperti, V. (2012) 'L'ekphrasis photographique dans Dora Bruder de Patrick Modiano: entre magnétisme et réfraction', Cahiers de narratologie, 23, 2-13. C. Lévy and L. Pernot (Paris: L’Harmattan, 1997), 249–264; A. Manieri, L’immagine poetica, esp. /Annots [ 112 0 R ] /Parent 20 0 R endobj Their addition to the text modifies the status of it, making it into a biography or document. N. Rudd (London: Duckworth, 1993), 120–139; and L. Barkan, Mute Poetry, Speaking Pictures (Princeton, NJ: Princeton University Press, 2013). Auden not only expands the understanding of the genre but also broadens the understanding Permanence, rupture et régimes d’historicité dans Dora Bruder. /Prev 27 0 R /Font 122 0 R Cf. endobj After surveying recent comparative literary approaches to ecphrastic "intermediality," the essay first analyzes theories of ecphrasis in theProgymnasmata. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. endobj /Creator (OpenEdition) The letters of the chi-rho mast are made up of the transliterated letters of a Greek elegic couplet. /Prev 29 0 R /MediaBox [ 0 0 595 841 ] 118.7 = Patillon and Bolognesi, Aelius Théon, Progymnasmata, 66. /ProcSet [ /PDF /Text ] Ekphrasis (also spelled "ecphrasis") is a direct transcription from the Greek ek, "out of," and phrasis, "speech" or "expression." It's often been translated simply as "description," and seems originally to have been used as a rhetorical term designating a passage in prose or poetry that describes something. /Type /Page stream /ProcSet [ /PDF /Text ] The passages themselves can be found in M. Patillon and G. Bolognesi, eds., Aelius Théon, Progymnasmata (Paris: Belles Lettres, 1997), 66–69; H. Rabe, ed., Hermogenis Opera (Leipzig: Teubner, 1913), 22–23; H. Rabe, ed., Aphthonius Progymnasmata (Leipzig: Teubner, 1926), 36–41; and J. Felten, ed., Nicolaus Progymnasmata (Leipzig: Teubner, 1913), 67–71. /Count 5 This person is not on ResearchGate, or hasn't claimed this research yet. Using Arnold Van Gennep's study into the rites of passage, it describes this sort of ekphrasis as one that entails certain rites of passage into visual culture. >> >> /ProcSet [ /PDF /Text ] R. Webb, “Ekphrasis Ancient and Modern: The Invention of a Genre,” Word & Image 15.1 (1999): 7–18; G. Zanker, Modes of Viewing in Hellenistic Poetry and Art (Madison: University of Wisconsin Press, 2004), 82–84, 184–185, n. 26. << We thus have to do with prose images, with an ekphrasis from existing photographs. << /Rotate 0 On Apollonius, see R. Hunter, The Argonautica of Apollonius: Literary Studies (Cambridge, U.K.: Cambridge University Press, 1993), 52–59; and J. J. Clauss, The Best of the Argonauts: The Redefinition of the Epic Hero in Book One of Apollonius’ Argonautica (Berkeley: University of California Press, 1993), 120–129. /Pages 1 0 R Quelques aventures de l'ekphrasis dans la littérature contemporaine M. A. Pond served in the Marines from 1971 to 1973 as a Keypunch Operator, a job which she said technological advances since then have made obsolete. Witness statements, often recorded on film but also written, have noticeably been present in the discursive space opened up by Holocaust memory. The Ekphrastic Review is an online journal devoted entirely to writing inspired by visual art. >> >> On Pseudo-Hesiod, see A. S. Becker, The Shield of Achilles and the Poetics of Ekphrasis, 23–40, along with the more detailed recent discussion of S. Chiarini, L’archeologia dello Scutum Herculis (Rome: Aracne, 2012), esp. Moreover, it is in harmony with Modiano’s mode of narration. Oct. 23 2015. In later editions—especially the American and Japanese translations—we find reproductions of these >> /ExtGState 176 0 R /Annots [ 119 0 R ] /Type /Page /Font 98 0 R >> /Last 31 0 R The link was not copied. << 32 0 obj Bibliography updated to incorporate recent scholarship. Through examination of Hesketh's graphical control of a number of musical parameters, the article will demonstrate that the idea of a 'musical ekphrasis' can be extended through the incorporation of spatial aspects . endobj /D [ 1 /XYZ 85.03937 433.73602 0 ] In the 'open' type, by contrast, the object of the ekphrasis is presented 'unframed', and so could be taken as a description of (say) an actual scene, rather than a pictorial representation of that scene. In the words of Simon Goldhill, “rhetorical theory knows well that its descriptive power is a technique of illusion, semblance, and of making to appear.” S. Goldhill, “What Is Ekphrasis for?,” Classical Philology 102 (2007): 1–19, at 3; cf. /Count 16 Dora Bruder 1. /Annots [ 107 0 R 108 0 R ] Trouvé à l'intérieur – Page 460deux types de procédés : une ekphrasis substitutive , traditionnellement qualifiée de notionnelle 12 , qui vise à restituer , sans support iconographique phénoménal pour le lecteur , le tableau ou la photographie , et une ekphrasis ... /Rotate 0 >> /ProcSet [ /PDF /Text ] –Photography–Shoah–Postmemory, Du Roman-Histoire à l’Enquête micro-historique (Etude Sélective de l’oeuvre de Patrick Modiano), The Question of Genre in Holocaust Narrative: The Case of Patrick Modiano’s Dora Bruder, Photographie et image en prose dans Dora Bruder de Patrick Modiano, ‘Avec Klarsfeld, contre l’oubli’Patrick Modiano’s Dora Bruder, Sentinelles de l’oubli et reflets furtifs. "> R�N �` Recollected Places: Photography, Memory and Ekphrasis The practice component of my PhD, 'Recollected Places', consists of exhibitions combining my work as an artist in still photography, video and installation and books that combine text and the photographic image. /Type /Page 1.730–767), and not least Vergil’s description of Aeneas’s shield (Aen. Latin authors were no less interested in the intersection between visual and verbal modes. >> As critical trope, the word ekphrasis (ἔκφρασις) is attested from the first century ce onwards: it is discussed in the Imperial Greek Progymnasmata, where it is defined as a “descriptive speech which brings the subject shown before the eyes with visual vividness.”. /Rotate 0 >> 2 days ago. But what are the greatest ekphrastic poems in English literature? /Parent 1 0 R 346f). Their addition to the text modifies the status of it, making it into a biography or document. Prog. Ekphrasis was a rhetorical tool, enabling the evocation of an object in language in such a way as to enable readers to respond emotionally, even viscerally to it. /Contents 88 0 R The concept has been fundamental to late 20th- and early 21st-century scholarship on the interface between visual and verbal media. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. /Title (L\220acte photographique) Harder, R. Regtuit and G. W. Wakker (Leuven: Peeters, 2002), 85–112; and M. J. Squire, “Making Myron’s Cow Moo? << Choose from 500 different sets of dora words 2 flashcards on Quizlet. Authors of these treatises were well aware of the fictitiousness that underlies ekphrasis—as a trope of “almost [skhedon] seeing through hearing,” and indeed of “all but [mononou] making the audience into spectators”;14 much later, in his 9th-century commentary on Aphthonius’s Progymnasmata, John of Sardis would develop the point explicitly, writing that “even if the speech were ten thousand times vivid, it would be impossible to bring ‘the thing shown’ or ekphrasised itself before the eyes.”15, Despite their particular functions and pedagogical remits, the Progymnasmata clearly reflect—and indeed respond to—a much longer history of conceptualizing words and images, as played out in the literary evocation of artworks in particular. 1968), from around 2012 to the present day, including his recent work, Viae (2020). 1 month ago. >> Trouvé à l'intérieur – Page 2594 ) , était tout proche de l'atelier photographiques , ce qui explique , outre sa beauté particulière , qu'il ait pu si ... conviennent aussi à l'ekphrasis de photographie , puisque cette dernière est encore une forme de « tableau » . Did you know? /Type /Page 8.626–728);18 the Homeric description also posed a challenge to visual artists, who sometimes delighted in turning the Homeric verbal evocation of a visual object back into material apparition (see Figure 1).19. Trouvé à l'intérieur – Page 275... l'abondante illustration photographique a pour objet d'éliminer toute description - celle - ci frappée d'inanité dans ... alors qu'on a pu croire jusqu'au XIX ° siècle à la possibilité d'une ekphrasis fondée sur le paradigme de l'ut ... /ExtGState 89 0 R In five rhyming stanzas, Keats' poem "Ode on a Grecian Urn" addresses an imagined version of an ancient vase. of the reader, who «sees» them without really seeing them? /Count 1 'Ekphrasis' is the verbal description of visual works of art, for example, Homer's imaginary evocation of Achilles' shield in The Iliad. Scholars and writers of poetry today typically trace the genealogy of ekphrasis as a branch of lyric poetry: the contemplation of an art object uttered by an undifferentiated, universalized lyric "I" who probes the representational differences between the arts of painting and poetry. (See also Cliiver 1989: 57-58, esp. This aspect, which is a key element of every kind of image, is emphasized both in anthropological analyses and in aesthetical . The analysis then considers the pictures in prose to show how writing magnetises and refracts the cliché, being this document absent in the narration. /MediaBox [ 0 0 595 841 ] Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice). But our analysis L'analyse, a travers les documents d'archives inseres dans la diegese, se . /Type /Page 18. R. Hexter and D. Seldon (New York and London: Routledge, 1992), 51–64; G. K. Sprigath, “Das Dictum des Simonides: Der Vergleich von Dichtung und Malerei,” Poetica. /Resources << A Francis, “Metal Maidens, Achilles’ Shield and Pandora: The Beginnings of ‘Ekphrasis,’” American Journal of Philology 130 (2009): 1–23; M. Lecoq, Le bouclier d’Achille: un tableau qui borge (Paris: Gallimard, 2010); and M. d’Acunto and R. Palmisciano, eds., Lo scudo di Achille nell’Iliade. /Font 67 0 R /Annots [ 61 0 R 62 0 R 63 0 R ] 21. This essay explores the intersections between ancient and modern notions of ecphrasis (defined by Imperial Greek rhetoricians as "a descriptive speech" that "brings the subject shown before the eyes with visual vividness"). /Annots [ 163 0 R 164 0 R 165 0 R 166 0 R 167 0 R 168 0 R 169 0 R 170 0 R 171 0 R 172 0 R 173 0 R 174 0 R ] Sometimes the conventions of ekphrastic evocation are lampooned—nowhere more strikingly than with Petronius’s account of the exploits of Eumolpus in an imagined art gallery (Sat. éditeurs et divers médias. En effet, dans ces romans, les grands personnages historiques ne sont présents que pour mettre en relief la vie des marginaux et des oubliés de l’Histoire comme Dora Bruder, le personnage du livre éponyme de Modiano. Trouvé à l'intérieur – Page 258... cette vision photographique du monde est Antoine Montes , le photographe amateur dans Le Vent ( 1957 ) . ... La notion d'ekphrasis , il est vrai , se rapporte par définition à la description d'une oeuvre d'art réelle ou imaginaire . At the same time, FSP provides educational training, consultations on scientific and technological information, translation services, and publications of e-books. 4. /Title (\376\377\000L \031\000e\000k\000p\000h\000r\000a\000s\000i\000s\000 \000p\000h\000o\000t\000o\000g\000r\000a\000p\000h\000i\000q\000u\000e\000 \000d\000a\000n\000s\000 \000D\000o\000r\000a\000 \000B\000r\000u\000d\000e\000r\000 \000d\000e\000 \000P\000a\000t\000r\000i\000c\000k\000 \000M\000o\000d\000i\000a\000n\000o\000\240\000\072\000 \000e\000n\000t\000r\000e\000 \000m\000a\000g\000n\000\351\000t\000i\000s\000m\000e\000 \000e\000t\000 \000r\000\351\000f\000r\000a\000c\000t\000i\000o\000n) In later editions—especially the American and Japanese translations—we find . Squire, “Apparitions Apparent,” 99–101, 107–108). << Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. 1 0 obj What are some examples of ekphrastic poems, and how should we read them? Lekooporność raka nerki; Lekker imperfect << /Rotate 0 Trouvé à l'intérieur – Page 161... extraits de jugement politique , catalogues d'expositions , usage répété de l'ekphrasis photographique , etc. ) ; et cette poétique du montage donne quasiment statut de chronique citée , répétée et modulée , à chaque fragment . Theon’s explanation of ekphrasis as a “descriptive speech which brings the subject shown before the eyes with visual vividness”6 seems to have been echoed almost verbatim among other Progymnasmata authors. 14 0 obj On essaie enfin de montrer que ces modes de relation peuvent se lire comme des régimes d’historicité, et que Dora Bruder, comme énonciation, dit, même dans ses manques, la réussite du projet visant à saisir quelque chose de la vie de Dora, et donc à assurer, malgré tout, une certaine permanence du passé dans le présent. /Rotate 0 This innovative interdisciplinary study compares the uses of painting in literary texts and films. The implications of these changes are then assessed, with the author’s apparent wish to make his narrative more complete and more truthful, prompting a discussion of the overall status of the book - is it a work of fact, a fiction or a ‘faction’? In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. /Parent 20 0 R Google Scholar Suleiman, S. (2006) Crises of Memory and the Second World War (Harvard: Harvard University Press). >> /Author (Valeria Sperti) É. Prioux and A. Rouveret (Paris: Presses Universitaires de Paris Ouest, 2010), 191–204. 2.) >> /ExtGState 136 0 R endobj We will see that the prose image is a deliberate choice of Modiano’s, Figure 1. In theorizing ekphrasis around the poles of sight and sound, rhetorical handbooks continue a long-standing literary and literary critical tradition: one thinks in particular of Simonides’ famous aphorism—much quoted in antiquity—that “painting is silent poetry, poetry is talking painting.”16 Ultimately, this history stretches back to the Homeric epic description of the shield of Achilles (Il. 23. these In this collection of poems Roubaud expresses a desire to continue that artistic dialogue and even tempts to keep Alix in movement by . Trouvé à l'intérieur – Page 180Selon la distinction proposée par Michael Riffaterre entre ekphrasis critique et ekphrasis littéraire , on pourrait dire que ces ekphraseis photographiques relèvent davantage de cette dernière catégorie : variété de l'encomium ... << 15. 19. endobj /Parent 20 0 R But our analysis Trouvé à l'intérieur – Page 52then, description becomes a suspect category in photo-textual terms. This is not to say that the metaphor of ekphrasis is not useful. The Greek prefix 'ek' means 'detachable', so ekphrasis is a discourse that is 'périégétique', ... /Resources << R. Hunter, A Study of Daphnis and Chloe (Cambridge, U.K.: Cambridge University Press, 1983), 38–52; T. Whitmarsh, “Written on the Body: Ekphrasis, Perception and Deception in Heliodorus’ Aethiopica,” Ramus 31 (2002): 111–125; H. Morales, Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon (Cambridge, U.K.: Cambridge University Press, 2004), esp. Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. /Font 158 0 R Ekphrasis today, or modern ekphrasis, has significantly changed from the versions of ekphrasis typical to Ancient Greece and the Roman Empire (Webb 1). The Higher Me, graphics on metal print, 36″ x 12″, 2015. /ProcSet [ /PDF /Text ] A detailed study of the ekphrasis of photography in poetry since the 19th century. %PDF-1.3 1); both the Elder and Younger Philostratus play knowingly on the rhetorical definitions of ekphrasis in the Progymnasmata (cf. >> >> Webb, Ekphrasis, Imagination and Persuasion, esp. 10.48 = Rabe, Hermogenis Opera, 23. Sperti, V. (2012) 'L'ekphrasis photographique dans Dora Bruder de Patrick Modiano: entre magnétisme et réfraction', Cahiers de narratologie, 23, 2-13. C. Lévy and L. Pernot (Paris: L’Harmattan, 1997), 249–264; A. Manieri, L’immagine poetica, esp. /Annots [ 112 0 R ] /Parent 20 0 R endobj Their addition to the text modifies the status of it, making it into a biography or document. N. Rudd (London: Duckworth, 1993), 120–139; and L. Barkan, Mute Poetry, Speaking Pictures (Princeton, NJ: Princeton University Press, 2013). Auden not only expands the understanding of the genre but also broadens the understanding Permanence, rupture et régimes d’historicité dans Dora Bruder. /Prev 27 0 R /Font 122 0 R Cf. endobj After surveying recent comparative literary approaches to ecphrastic "intermediality," the essay first analyzes theories of ecphrasis in theProgymnasmata. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. endobj /Creator (OpenEdition) The letters of the chi-rho mast are made up of the transliterated letters of a Greek elegic couplet. /Prev 29 0 R /MediaBox [ 0 0 595 841 ] 118.7 = Patillon and Bolognesi, Aelius Théon, Progymnasmata, 66. /ProcSet [ /PDF /Text ] Ekphrasis (also spelled "ecphrasis") is a direct transcription from the Greek ek, "out of," and phrasis, "speech" or "expression." It's often been translated simply as "description," and seems originally to have been used as a rhetorical term designating a passage in prose or poetry that describes something. /Type /Page stream /ProcSet [ /PDF /Text ] The passages themselves can be found in M. Patillon and G. Bolognesi, eds., Aelius Théon, Progymnasmata (Paris: Belles Lettres, 1997), 66–69; H. Rabe, ed., Hermogenis Opera (Leipzig: Teubner, 1913), 22–23; H. Rabe, ed., Aphthonius Progymnasmata (Leipzig: Teubner, 1926), 36–41; and J. Felten, ed., Nicolaus Progymnasmata (Leipzig: Teubner, 1913), 67–71. /Count 5 This person is not on ResearchGate, or hasn't claimed this research yet. Using Arnold Van Gennep's study into the rites of passage, it describes this sort of ekphrasis as one that entails certain rites of passage into visual culture. >> >> /ProcSet [ /PDF /Text ] R. Webb, “Ekphrasis Ancient and Modern: The Invention of a Genre,” Word & Image 15.1 (1999): 7–18; G. Zanker, Modes of Viewing in Hellenistic Poetry and Art (Madison: University of Wisconsin Press, 2004), 82–84, 184–185, n. 26. << We thus have to do with prose images, with an ekphrasis from existing photographs. << /Rotate 0 On Apollonius, see R. Hunter, The Argonautica of Apollonius: Literary Studies (Cambridge, U.K.: Cambridge University Press, 1993), 52–59; and J. J. Clauss, The Best of the Argonauts: The Redefinition of the Epic Hero in Book One of Apollonius’ Argonautica (Berkeley: University of California Press, 1993), 120–129. /Pages 1 0 R Quelques aventures de l'ekphrasis dans la littérature contemporaine M. A. Pond served in the Marines from 1971 to 1973 as a Keypunch Operator, a job which she said technological advances since then have made obsolete. Witness statements, often recorded on film but also written, have noticeably been present in the discursive space opened up by Holocaust memory. The Ekphrastic Review is an online journal devoted entirely to writing inspired by visual art. >> >> On Pseudo-Hesiod, see A. S. Becker, The Shield of Achilles and the Poetics of Ekphrasis, 23–40, along with the more detailed recent discussion of S. Chiarini, L’archeologia dello Scutum Herculis (Rome: Aracne, 2012), esp. Moreover, it is in harmony with Modiano’s mode of narration. Oct. 23 2015. In later editions—especially the American and Japanese translations—we find reproductions of these >> /ExtGState 176 0 R /Annots [ 119 0 R ] /Type /Page /Font 98 0 R >> /Last 31 0 R The link was not copied. << 32 0 obj Bibliography updated to incorporate recent scholarship. Through examination of Hesketh's graphical control of a number of musical parameters, the article will demonstrate that the idea of a 'musical ekphrasis' can be extended through the incorporation of spatial aspects . endobj /D [ 1 /XYZ 85.03937 433.73602 0 ] In the 'open' type, by contrast, the object of the ekphrasis is presented 'unframed', and so could be taken as a description of (say) an actual scene, rather than a pictorial representation of that scene. In the words of Simon Goldhill, “rhetorical theory knows well that its descriptive power is a technique of illusion, semblance, and of making to appear.” S. Goldhill, “What Is Ekphrasis for?,” Classical Philology 102 (2007): 1–19, at 3; cf. /Count 16 Dora Bruder 1. /Annots [ 107 0 R 108 0 R ] Trouvé à l'intérieur – Page 460deux types de procédés : une ekphrasis substitutive , traditionnellement qualifiée de notionnelle 12 , qui vise à restituer , sans support iconographique phénoménal pour le lecteur , le tableau ou la photographie , et une ekphrasis ... /Rotate 0 >> /ProcSet [ /PDF /Text ] –Photography–Shoah–Postmemory, Du Roman-Histoire à l’Enquête micro-historique (Etude Sélective de l’oeuvre de Patrick Modiano), The Question of Genre in Holocaust Narrative: The Case of Patrick Modiano’s Dora Bruder, Photographie et image en prose dans Dora Bruder de Patrick Modiano, ‘Avec Klarsfeld, contre l’oubli’Patrick Modiano’s Dora Bruder, Sentinelles de l’oubli et reflets furtifs. ">

ekphrasis photographique

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/Annots [ 99 0 R 100 0 R ] /ProcSet [ /PDF /Text ] L'ekphrasis photographique dans Dora Bruder de Patrick Modiano : entre magnétisme et réfraction . Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their . /Contents 156 0 R /Next 29 0 R /Font 106 0 R /Type /Page We want to inspire more ekphrastic writing and . 7 0 obj For detailed further bibliography, see M. J. Squire, “Ekphrasis at the Forge and the Forging of Ekphrasis: The Shield of Achilles in Graeco-Roman Word and Image,” Word & Image 29 (2013): 157–191, at 183, n. 1. We will see that the prose image is a deliberate choice of Modiano’s, The Elder Philostratus’s Eikones (often referred to by its Latin title, Imagines) was explicitly referred to as “an ekphrasis of works of painting/description” (τις‎ γραφικῆς‎ ἔργων‎ ἔκφρασις‎) by the Younger Philostratus, in the preface to his Eikones (Praef. One of the earliest, and most often referenced . Join ResearchGate to find the people and research you need to help your work. The OED defines " ekphrastic " as: " Employing, characterized by, or relating to a literary device in which a painting, sculpture, or other work of visual art is described in detail. >> Cf. Horace and the Visual Arts,” in Horace 2000: A Celebration. For a list of Greek and Latin literary shield descriptions specifically, see K. Fittschen, “Der Schild des Achilleus,” in Archaeologia Homerica 2: N.1.1–28, at 1, n. 1. What holds more presence? The physical work itself, or the idea of the work? In a similar fashion, the invention of photography raised questions that were not methodically articulated until the 1980s. /Type /Page 13. In an effort to introduce and lead other into a place of poetic quiet, attention and creation, we invite the community to submit original poems inspired by works of art at the Quinlan Visual Arts Center. /Parent 1 0 R Ekphrasis is a magazine publishing at the intersection of the literary and visual arts, with a particular emphasis on form and experimentation.In doing so, we hope to foster conversation between artists across disciplines, fields, and media within the pages of a single publication. Hermogenes 10.48 (=Rabe, Hermogenis Opera, 23); Nikolaus (=Felten, Nicolaus Progymnasmata, 70). endobj /MediaBox [ 0 0 595 841 ] 8 0 obj 17 0 obj Back to my letter. Ultimately, ekphrasis is premised on the promise of actually “seeing” the thing spoken about: “Ekphrasis is an interpretation that almost brings about seeing through hearing,” in the words of Hermogenes.7 The elements of ekphrasis, writes Nikolaus, “bring the subjects of the speech before our eyes and almost make speakers into spectators.”8, The discussions in the Progymnasmata intersect with other ancient rhetorical analyses (not least Quint., Inst. Massive, la première prend appui autant sur le seul passage du temps que sur des actions concrètes accomplies durant la Seconde Guerre mondiale et dans l’immédiat après-guerre. Our objective is to promote ekphrastic writing, promote art appreciation, and experience how the two strengthen each other and bring enrichment to every facet of life. /Title (\376\377\000P\000o\000r\000t\000r\000a\000i\000t\000s\000 \000e\000t\000 \000p\000h\000o\000t\000o\000s\000 \000d\000e\000 \000f\000a\000m\000i\000l\000l\000e\000\240\000\072\000 \000p\000o\000u\000v\000o\000i\000r\000 \000d\000u\000 \000m\000a\000g\000n\000\351\000t\000i\000s\000m\000e\000 \000e\000t\000 \000d\000e\000 \000l\000a\000 \000r\000\351\000f\000r\000a\000c\000t\000i\000o\000n) The article analyses - starting from the first edition of Patrick Modiano's Dora Bruder - the representation of the photographic act, the nine ekphrasis of portraits of the Bruder's family and their daughter and the two puzzling pictures of a social and urban world which disappeared. N. W. Slater, “Against Interpretation: Petronius and Art Criticism,” Ramus 16 (1987): 165–176; B. Dufallo, “Ecphrasis and Cultural Identification in Petronius’ Art Gallery,” Word and Image 23 (2007): 290–304; J. Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (Princeton, NJ: Princeton University Press, 1995), 177–199; T. Baier, “Eumolpe et Encolpe dans une galerie d’art,” in Métamorphoses du regard ancien, eds. << As with last week's form ( ars poetica ), this week's form is less about rhyme schemes, counting syllables, and refrains. Using the rhetoric successfully was a means of demonstrating prowess, as a scholar and writer and eventually ekphrasis became an art that described art. Trouvé à l'intérieur – Page 133... l'ekphrasis picturale , photographique , graphique ... et , bien entendu , les représentations de films ou de programmes T.V. » 65 . Cette insistance sur des mondes parallèles ou croisés rejoint la volonté de King d'ouvrir l'univers ... Date: late 1st-century bce or early 1st-century ce. x��VMs�6��W�dDŽ� 2=%v�8�v���90%1�H��2�L|w��l��鱓�L,��ov����}��U6SL�9(�1�5��~�:�@��5��ݸ��~��Q�h5Z���XǤ ˰i2l:���9�z������y�w)��/0�s����̙ĦyƬ3NG��IǬ�&N�a���'X�+�il�q&�¿,7 Simon frg. /ExtGState 97 0 R /Next 31 0 R Ekphrasis: The Illusion Of The Natural Sign|Professor Murray Krieger our writing masterminds tend to their needs. /Annots [ 142 0 R 143 0 R 144 0 R 145 0 R 146 0 R 147 0 R 148 0 R 149 0 R 150 0 R 151 0 R 152 0 R 153 0 R 154 0 R 155 0 R ] /Type /Pages /MediaBox [ 0 0 595 841 ] Download (.pdf)-by 30-day views-total views-followers. >> /MediaBox [ 0 0 595 841 ] 26–60), Homer’s instrument of epic warfare is transformed into a delicate wooden drinking-cup—its scenes carefully crafted after Homer, while indirectly figuring the proximity and distance between Homeric epic and the Theocritean bucolic world. /Prev 23 0 R endobj The goal of the analysis is to show the impotence of the photographic object when faced with the reconstruction of Dora's story and to compare it to the official documents inserted in the diegesis. Dora Bruder présente le type même d’un « texte-recherche » (Ivan Jablonka) qui projette de dire le vrai sur le monde. Marciano once rapped over a Nazareth beat on 2005's Wu-Tang Meets the Indie Culture, where then-prominent indie rappers took a . /CS /DeviceRGB << Cf. /CreationDate (D\07220160930120309) 5. /ExtGState 65 0 R At the same time, there has been much debate about the precise relationship between modern uses of the term—as developed above all in the study of comparative literature—and its precise semantic meanings in antiquity. Ekphrasis, Cultural Capital, and Detachment in Eliot's Early Poetry 149 Neither indifferent to nor ignorant of the visual arts or the available poetic conventions for writing about them, Eliot experimented with ekphrastic poet-ics early in his career through ambivalent appropriations, parodies, and formal innovation. About - The Ekphrastic Review. 6. L'ekphrasis photographique dans Dora Bruder de Patrick Modiano : entre magnétisme et réfraction Valeria Sperti Dora Bruder, un roman d'enquête 1 Seizième récit de Patrick Modiano, Dora Bruder (1997) reprend le thème fort de son œuvre, celui de l'enquête privée à laquelle la narration confère une dimension historique. of the narrator, who is describing the photographs? Michelle Pond is a photographer and poet whose work will be part of the Veterans Art Show next year. Ekphrasis refers to the literary and rhetorical trope of summoning up—through words—an impression of a visual stimulus, object, or scene. J. Bintliff and K. Rutter (Edinburgh, U.K.: Edinburgh University Press), 57–99. G. M. Rispoli, “φαντασία‎ ed ἐνάργεια‎ negli scolî all’Iliade,” Vichiana 13 (1984): 311–339; R. Meijering, Literary and Rhetorical Theories in Greek Scholia (Groningen, Germany: Egbert Forsten, 1987), esp. << ekphrasis by identifying the painting which the poem discusses. /First 20 0 R /Type /Page endobj In this regard, then, the holes left by ekphrasis criticism are conspicu- 13 0 obj Ekphrastic poetry most often refers to a poem written about a visual work of art, such as a painting or a sculpture. endobj The core business of Frontier Science Publishing focuses on publishing academic journals and organizing international academic conferences. Typical of artifacts seen in the British Museum, the . endobj /Next 25 0 R /Parent 1 0 R >> /Parent 1 0 R Trouvé à l'intérieur – Page 146Les liens interculturels liés aux histoires française et russe apparaissent en plus grand nombre avec la fonction ontologique de l'ekphrasis photographique. Tel l'album de photos fabriqué de Requiem pour l'Est dont l'existence est ... Z� ���^�Mzh��+22�b\�I7��O��b�!׏�)mL�3�����(�?&�{Te;��A;Ly��OC珆q�ȑS�W��7'ש���O1�9H����Zs�0�t�����ɩ7c����8������9gX�c'3E�"sNi4>R�N �` Recollected Places: Photography, Memory and Ekphrasis The practice component of my PhD, 'Recollected Places', consists of exhibitions combining my work as an artist in still photography, video and installation and books that combine text and the photographic image. /Type /Page 1.730–767), and not least Vergil’s description of Aeneas’s shield (Aen. Latin authors were no less interested in the intersection between visual and verbal modes. >> As critical trope, the word ekphrasis (ἔκφρασις) is attested from the first century ce onwards: it is discussed in the Imperial Greek Progymnasmata, where it is defined as a “descriptive speech which brings the subject shown before the eyes with visual vividness.”. /Rotate 0 >> 2 days ago. But what are the greatest ekphrastic poems in English literature? /Parent 1 0 R 346f). Their addition to the text modifies the status of it, making it into a biography or document. Prog. Ekphrasis was a rhetorical tool, enabling the evocation of an object in language in such a way as to enable readers to respond emotionally, even viscerally to it. /Contents 88 0 R The concept has been fundamental to late 20th- and early 21st-century scholarship on the interface between visual and verbal media. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. /Title (L\220acte photographique) Harder, R. Regtuit and G. W. Wakker (Leuven: Peeters, 2002), 85–112; and M. J. Squire, “Making Myron’s Cow Moo? << Choose from 500 different sets of dora words 2 flashcards on Quizlet. Authors of these treatises were well aware of the fictitiousness that underlies ekphrasis—as a trope of “almost [skhedon] seeing through hearing,” and indeed of “all but [mononou] making the audience into spectators”;14 much later, in his 9th-century commentary on Aphthonius’s Progymnasmata, John of Sardis would develop the point explicitly, writing that “even if the speech were ten thousand times vivid, it would be impossible to bring ‘the thing shown’ or ekphrasised itself before the eyes.”15, Despite their particular functions and pedagogical remits, the Progymnasmata clearly reflect—and indeed respond to—a much longer history of conceptualizing words and images, as played out in the literary evocation of artworks in particular. 1968), from around 2012 to the present day, including his recent work, Viae (2020). 1 month ago. >> Trouvé à l'intérieur – Page 2594 ) , était tout proche de l'atelier photographiques , ce qui explique , outre sa beauté particulière , qu'il ait pu si ... conviennent aussi à l'ekphrasis de photographie , puisque cette dernière est encore une forme de « tableau » . Did you know? /Type /Page 8.626–728);18 the Homeric description also posed a challenge to visual artists, who sometimes delighted in turning the Homeric verbal evocation of a visual object back into material apparition (see Figure 1).19. Trouvé à l'intérieur – Page 275... l'abondante illustration photographique a pour objet d'éliminer toute description - celle - ci frappée d'inanité dans ... alors qu'on a pu croire jusqu'au XIX ° siècle à la possibilité d'une ekphrasis fondée sur le paradigme de l'ut ... /ExtGState 89 0 R In five rhyming stanzas, Keats' poem "Ode on a Grecian Urn" addresses an imagined version of an ancient vase. of the reader, who «sees» them without really seeing them? /Count 1 'Ekphrasis' is the verbal description of visual works of art, for example, Homer's imaginary evocation of Achilles' shield in The Iliad. Scholars and writers of poetry today typically trace the genealogy of ekphrasis as a branch of lyric poetry: the contemplation of an art object uttered by an undifferentiated, universalized lyric "I" who probes the representational differences between the arts of painting and poetry. (See also Cliiver 1989: 57-58, esp. This aspect, which is a key element of every kind of image, is emphasized both in anthropological analyses and in aesthetical . The analysis then considers the pictures in prose to show how writing magnetises and refracts the cliché, being this document absent in the narration. /MediaBox [ 0 0 595 841 ] Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice). But our analysis L'analyse, a travers les documents d'archives inseres dans la diegese, se . /Type /Page 18. R. Hexter and D. Seldon (New York and London: Routledge, 1992), 51–64; G. K. Sprigath, “Das Dictum des Simonides: Der Vergleich von Dichtung und Malerei,” Poetica. /Resources << A Francis, “Metal Maidens, Achilles’ Shield and Pandora: The Beginnings of ‘Ekphrasis,’” American Journal of Philology 130 (2009): 1–23; M. Lecoq, Le bouclier d’Achille: un tableau qui borge (Paris: Gallimard, 2010); and M. d’Acunto and R. Palmisciano, eds., Lo scudo di Achille nell’Iliade. /Font 67 0 R /Annots [ 61 0 R 62 0 R 63 0 R ] 21. This essay explores the intersections between ancient and modern notions of ecphrasis (defined by Imperial Greek rhetoricians as "a descriptive speech" that "brings the subject shown before the eyes with visual vividness"). /Annots [ 163 0 R 164 0 R 165 0 R 166 0 R 167 0 R 168 0 R 169 0 R 170 0 R 171 0 R 172 0 R 173 0 R 174 0 R ] Sometimes the conventions of ekphrastic evocation are lampooned—nowhere more strikingly than with Petronius’s account of the exploits of Eumolpus in an imagined art gallery (Sat. éditeurs et divers médias. En effet, dans ces romans, les grands personnages historiques ne sont présents que pour mettre en relief la vie des marginaux et des oubliés de l’Histoire comme Dora Bruder, le personnage du livre éponyme de Modiano. Trouvé à l'intérieur – Page 258... cette vision photographique du monde est Antoine Montes , le photographe amateur dans Le Vent ( 1957 ) . ... La notion d'ekphrasis , il est vrai , se rapporte par définition à la description d'une oeuvre d'art réelle ou imaginaire . At the same time, FSP provides educational training, consultations on scientific and technological information, translation services, and publications of e-books. 4. /Title (\376\377\000L \031\000e\000k\000p\000h\000r\000a\000s\000i\000s\000 \000p\000h\000o\000t\000o\000g\000r\000a\000p\000h\000i\000q\000u\000e\000 \000d\000a\000n\000s\000 \000D\000o\000r\000a\000 \000B\000r\000u\000d\000e\000r\000 \000d\000e\000 \000P\000a\000t\000r\000i\000c\000k\000 \000M\000o\000d\000i\000a\000n\000o\000\240\000\072\000 \000e\000n\000t\000r\000e\000 \000m\000a\000g\000n\000\351\000t\000i\000s\000m\000e\000 \000e\000t\000 \000r\000\351\000f\000r\000a\000c\000t\000i\000o\000n) In later editions—especially the American and Japanese translations—we find . Squire, “Apparitions Apparent,” 99–101, 107–108). << Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. 1 0 obj What are some examples of ekphrastic poems, and how should we read them? Lekooporność raka nerki; Lekker imperfect << /Rotate 0 Trouvé à l'intérieur – Page 161... extraits de jugement politique , catalogues d'expositions , usage répété de l'ekphrasis photographique , etc. ) ; et cette poétique du montage donne quasiment statut de chronique citée , répétée et modulée , à chaque fragment . Theon’s explanation of ekphrasis as a “descriptive speech which brings the subject shown before the eyes with visual vividness”6 seems to have been echoed almost verbatim among other Progymnasmata authors. 14 0 obj On essaie enfin de montrer que ces modes de relation peuvent se lire comme des régimes d’historicité, et que Dora Bruder, comme énonciation, dit, même dans ses manques, la réussite du projet visant à saisir quelque chose de la vie de Dora, et donc à assurer, malgré tout, une certaine permanence du passé dans le présent. /Rotate 0 This innovative interdisciplinary study compares the uses of painting in literary texts and films. The implications of these changes are then assessed, with the author’s apparent wish to make his narrative more complete and more truthful, prompting a discussion of the overall status of the book - is it a work of fact, a fiction or a ‘faction’? In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. /Parent 20 0 R Google Scholar Suleiman, S. (2006) Crises of Memory and the Second World War (Harvard: Harvard University Press). >> /Author (Valeria Sperti) É. Prioux and A. Rouveret (Paris: Presses Universitaires de Paris Ouest, 2010), 191–204. 2.) >> /ExtGState 136 0 R endobj We will see that the prose image is a deliberate choice of Modiano’s, Figure 1. In theorizing ekphrasis around the poles of sight and sound, rhetorical handbooks continue a long-standing literary and literary critical tradition: one thinks in particular of Simonides’ famous aphorism—much quoted in antiquity—that “painting is silent poetry, poetry is talking painting.”16 Ultimately, this history stretches back to the Homeric epic description of the shield of Achilles (Il. 23. these In this collection of poems Roubaud expresses a desire to continue that artistic dialogue and even tempts to keep Alix in movement by . Trouvé à l'intérieur – Page 180Selon la distinction proposée par Michael Riffaterre entre ekphrasis critique et ekphrasis littéraire , on pourrait dire que ces ekphraseis photographiques relèvent davantage de cette dernière catégorie : variété de l'encomium ... << 15. 19. endobj /Parent 20 0 R But our analysis Trouvé à l'intérieur – Page 52then, description becomes a suspect category in photo-textual terms. This is not to say that the metaphor of ekphrasis is not useful. The Greek prefix 'ek' means 'detachable', so ekphrasis is a discourse that is 'périégétique', ... /Resources << R. Hunter, A Study of Daphnis and Chloe (Cambridge, U.K.: Cambridge University Press, 1983), 38–52; T. Whitmarsh, “Written on the Body: Ekphrasis, Perception and Deception in Heliodorus’ Aethiopica,” Ramus 31 (2002): 111–125; H. Morales, Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon (Cambridge, U.K.: Cambridge University Press, 2004), esp. Poetry, Photography, Ekphrasis is a detailed study of the ekphrasis of photography in poetry since the 19th century. /Font 158 0 R Ekphrasis today, or modern ekphrasis, has significantly changed from the versions of ekphrasis typical to Ancient Greece and the Roman Empire (Webb 1). The Higher Me, graphics on metal print, 36″ x 12″, 2015. /ProcSet [ /PDF /Text ] A detailed study of the ekphrasis of photography in poetry since the 19th century. %PDF-1.3 1); both the Elder and Younger Philostratus play knowingly on the rhetorical definitions of ekphrasis in the Progymnasmata (cf. >> >> Webb, Ekphrasis, Imagination and Persuasion, esp. 10.48 = Rabe, Hermogenis Opera, 23. Sperti, V. (2012) 'L'ekphrasis photographique dans Dora Bruder de Patrick Modiano: entre magnétisme et réfraction', Cahiers de narratologie, 23, 2-13. C. Lévy and L. Pernot (Paris: L’Harmattan, 1997), 249–264; A. Manieri, L’immagine poetica, esp. /Annots [ 112 0 R ] /Parent 20 0 R endobj Their addition to the text modifies the status of it, making it into a biography or document. N. Rudd (London: Duckworth, 1993), 120–139; and L. Barkan, Mute Poetry, Speaking Pictures (Princeton, NJ: Princeton University Press, 2013). Auden not only expands the understanding of the genre but also broadens the understanding Permanence, rupture et régimes d’historicité dans Dora Bruder. /Prev 27 0 R /Font 122 0 R Cf. endobj After surveying recent comparative literary approaches to ecphrastic "intermediality," the essay first analyzes theories of ecphrasis in theProgymnasmata. The word ekphrasis comes from Greek and is used for a vivid, often dramatic, verbal description of a visual work of art. endobj /Creator (OpenEdition) The letters of the chi-rho mast are made up of the transliterated letters of a Greek elegic couplet. /Prev 29 0 R /MediaBox [ 0 0 595 841 ] 118.7 = Patillon and Bolognesi, Aelius Théon, Progymnasmata, 66. /ProcSet [ /PDF /Text ] Ekphrasis (also spelled "ecphrasis") is a direct transcription from the Greek ek, "out of," and phrasis, "speech" or "expression." It's often been translated simply as "description," and seems originally to have been used as a rhetorical term designating a passage in prose or poetry that describes something. /Type /Page stream /ProcSet [ /PDF /Text ] The passages themselves can be found in M. Patillon and G. Bolognesi, eds., Aelius Théon, Progymnasmata (Paris: Belles Lettres, 1997), 66–69; H. Rabe, ed., Hermogenis Opera (Leipzig: Teubner, 1913), 22–23; H. Rabe, ed., Aphthonius Progymnasmata (Leipzig: Teubner, 1926), 36–41; and J. Felten, ed., Nicolaus Progymnasmata (Leipzig: Teubner, 1913), 67–71. /Count 5 This person is not on ResearchGate, or hasn't claimed this research yet. Using Arnold Van Gennep's study into the rites of passage, it describes this sort of ekphrasis as one that entails certain rites of passage into visual culture. >> >> /ProcSet [ /PDF /Text ] R. Webb, “Ekphrasis Ancient and Modern: The Invention of a Genre,” Word & Image 15.1 (1999): 7–18; G. Zanker, Modes of Viewing in Hellenistic Poetry and Art (Madison: University of Wisconsin Press, 2004), 82–84, 184–185, n. 26. << We thus have to do with prose images, with an ekphrasis from existing photographs. << /Rotate 0 On Apollonius, see R. Hunter, The Argonautica of Apollonius: Literary Studies (Cambridge, U.K.: Cambridge University Press, 1993), 52–59; and J. J. Clauss, The Best of the Argonauts: The Redefinition of the Epic Hero in Book One of Apollonius’ Argonautica (Berkeley: University of California Press, 1993), 120–129. /Pages 1 0 R Quelques aventures de l'ekphrasis dans la littérature contemporaine M. A. Pond served in the Marines from 1971 to 1973 as a Keypunch Operator, a job which she said technological advances since then have made obsolete. Witness statements, often recorded on film but also written, have noticeably been present in the discursive space opened up by Holocaust memory. The Ekphrastic Review is an online journal devoted entirely to writing inspired by visual art. >> >> On Pseudo-Hesiod, see A. S. Becker, The Shield of Achilles and the Poetics of Ekphrasis, 23–40, along with the more detailed recent discussion of S. Chiarini, L’archeologia dello Scutum Herculis (Rome: Aracne, 2012), esp. Moreover, it is in harmony with Modiano’s mode of narration. Oct. 23 2015. In later editions—especially the American and Japanese translations—we find reproductions of these >> /ExtGState 176 0 R /Annots [ 119 0 R ] /Type /Page /Font 98 0 R >> /Last 31 0 R The link was not copied. << 32 0 obj Bibliography updated to incorporate recent scholarship. Through examination of Hesketh's graphical control of a number of musical parameters, the article will demonstrate that the idea of a 'musical ekphrasis' can be extended through the incorporation of spatial aspects . endobj /D [ 1 /XYZ 85.03937 433.73602 0 ] In the 'open' type, by contrast, the object of the ekphrasis is presented 'unframed', and so could be taken as a description of (say) an actual scene, rather than a pictorial representation of that scene. In the words of Simon Goldhill, “rhetorical theory knows well that its descriptive power is a technique of illusion, semblance, and of making to appear.” S. Goldhill, “What Is Ekphrasis for?,” Classical Philology 102 (2007): 1–19, at 3; cf. /Count 16 Dora Bruder 1. /Annots [ 107 0 R 108 0 R ] Trouvé à l'intérieur – Page 460deux types de procédés : une ekphrasis substitutive , traditionnellement qualifiée de notionnelle 12 , qui vise à restituer , sans support iconographique phénoménal pour le lecteur , le tableau ou la photographie , et une ekphrasis ... /Rotate 0 >> /ProcSet [ /PDF /Text ] –Photography–Shoah–Postmemory, Du Roman-Histoire à l’Enquête micro-historique (Etude Sélective de l’oeuvre de Patrick Modiano), The Question of Genre in Holocaust Narrative: The Case of Patrick Modiano’s Dora Bruder, Photographie et image en prose dans Dora Bruder de Patrick Modiano, ‘Avec Klarsfeld, contre l’oubli’Patrick Modiano’s Dora Bruder, Sentinelles de l’oubli et reflets furtifs.

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